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Slipstream Saga: A Closer Look at ‘Stormland’ from Insomniac Games
Oculus 博客
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2019年10月23日
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In less than a month, gamers on the Rift Platform will be able to step inside an ever-changing cloudscape in Stormland—an epic single-player and co-op game with weekly reveals of new challenges, vistas, and ruins. Hailed by PC Gamer as arguably “the best VR game of 2019,” Stormland lets you explore, climb, and fly through an expansive android civilization with open-world elements. Pre-orders are live on the Oculus Store, letting you unlock exclusive Oculus Home statues to show off your superfan status. And today, we’re excited to share the first in a series of brand-new Stormland videos.

Each week leading up to the game’s launch on November 14, we’ll unveil another clip that showcases even more of what you can expect from Stormland. And mark your calendars for a launch day stream, November 14 at 1:00 pm ET / 10:00 am PT! You can tune into the action Twitch, Facebook, and Twitter—and there just may be some giveaways in store.

To celebrate the upcoming launch, we’re also hosting mini-interviews with some of the people who helped bring this android dream to life like only VR can do. First up, Insomniac Games Principal Designer Duncan Moore!

How did you get your start in the game industry?

Duncan Moore: In short, a lot of persistence, self-taught design, some black-magic, and a massive dose of luck! Back around 2000, I was studying 3D graphics and animation at the Art Institute of Houston. At that time, there was a severe lack of game design schools, so that was about as close as I could get.

At the same time, I started experimenting with level design on the side—all self-taught. I began building multiplayer and single-player levels for the Half-Life engine, mostly for a game called Half-Life: Opposing Force. I loved this multiplayer game! I burned thousands of hours playing, studying the fun, and building. I was literally consumed by this stuff and emerged from my cocoon with a good grasp of level design, world construction, scripting, and a handful of graphics skills from the Art Institute. Big thanks to my family for supporting me through this transformation, as I was pretty much a hermit for about four years!

In 2004 I got a little experience at a small startup game company in Houston. This company didn’t last very long but it gave me a dose of real world experience and landed me an interview at Insomniac ... the rest is history! Since then I’ve been methodically programmed by the amazing people around me at Insomniac to be a jack-of-all trades in design. I still feel like the kid who found the golden ticket! In all honesty, though, dogged persistence and a love for building things was what got me to the table.

What role did you play in the development of Stormland?

DM: I mostly caused trouble! I had a great opportunity to co-direct the project along with Lead Designer Mike Daly. Mike and I were caretakers of the game pillars and worked with everyone on the team to steer Stormland towards fun and innovation at all times. It was our first time directing a project, and we learned some big lessons!

We wanted to do big things with Stormland—things that had never been done before in VR. Wearing my Director’s hat, I was often the guy who went to my talented coworkers asking them for crazy things ... like, “Hey Derek, can we construct an open world made of cloud layers and multitudes of islands that you could travel to seamlessly and can be reconfigured on the fly?” We threw big challenges at our team, and I’m just humbled by their ability to roll with it and exceed our expectations at every turn!

I had some part in just about every aspect of the game design, world creation, and story. A big part of that was working with the team to put together the game intro and main campaign story/macro. I also wrangled our first few demos and owned the design of those.

One of the most memorable things was pushing for open-world climbing in VR. Mike and I were playing a new build of Stormland from early development. The traversal strike team had just implemented a climbing mechanic, and it was fun, but sort of limited because it was constrained to particular surfaces. We both wanted to see how it would feel to take off the reins and let players climb on any surface ... it was an exciting change! Some were skeptical at first, because this is a big deal and really affects the way you design and construct the whole world. We decided to take on the design challenge and went for it—we felt it was a perfect fit for VR and really made a bold statement about the open-world nature of our game.

What’s your favorite part of the game and why?

DM: I love the sheer immersion of it all. The promise of VR is to transport you to another world where you can lose yourself completely in role-play. This is so strong in Stormland, and there are many systems that come together to accomplish it.

Having the ability to freely explore the world—using your body to climb and traverse both feels natural and empowering. Seeing your full body animating and moving with you locks you into that character in a way many other VR games aren’t achieving. Our weapon systems and world interactions are physical and grounded in a way that feels tactile, yet isn’t too finicky—they find just the right balance between fun and realism.

Satisfying interactions, a fully articulated body, freedom of movement, fantastic settings, detailed characters, rich 3D sound, beautiful vistas, a vast world—it all comes together to pull me in and suddenly I’m there: a scrappy android explorer, scavenging for resources, fighting the Tempest! It’s a small glimpse of how powerful VR can be, and it’s been such an honor to be a part of.


Thanks for taking the time to chat with us, Duncan. We can’t wait for the VR community to get hands-on with this labor of love.

Pre-order Stormland today and prepare to #ReclaimYourWorld on November 14.

Oculus Rift S

Our most advanced PC-powered VR gaming headset.

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